By properly anticipating the needs of the colorist you can save them a considerable amount of time and stress, as well as reducing the overall project cost. This is stressful when the client is expecting you to color grade and instead you’re wasting time trying to get things to import properly.Īs a colorist, there’s a lot to keep on top of, from color spaces to LUTs, screen types and scopes. Building your reputation as an editor who makes things easier for the colorist will help to build stronger relationships that can only benefit your career.ĭuring my own career, I’ve worked on a number of projects that took longer to reconcile properly in the coloring software than to actually color the project. Just like editors, colorists have different sets of rules and requirements, but they all want the same thing as the rest of us – a simpler life.
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